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Ellen Bryant Voigt: A Moment’s Thought: Some Notes on Revision (January 1996)
Debra Allbery: “My” Emily Dickinson (January 1996)
Eleanor Wilner: Etudes of Finitude: The Poetry of Maxine Kumin (July 1996)
Michael Ryan: Authority and Authenticity (July 1996)
Marianne Boruch: Line and Room (July 1996)
Kevin McIlvoy: Damaged by Willa Cather: One Writer’s Recovery Story (July 1996)
Karen Brennan: Memory, Dream, Story and the Recovery of Narrative (July 1996)
Charles Baxter: Learning from the Poets: Rhyming Action (and Unity of Imagery) (July 1996)
Peter Turchi: The Writer as Cartographer (January 1997)
Richard Russo: Laugh, I Thought I’d Die: A Meditation on Humor (January 1997)
C.J. Hribal: Big Secrets of Writing (January 1997)
Tony Hoagland: Altitudes and Rhetoric (January 1997)
Carl Dennis: Mid-Course Corrections (January 1997)
Agha Shahid Ali: Cross Cultural Influences (January 1997)
Kevin McIlvoy: Truth Be Told (July 1997)
Wilton Barnhardt: The Sense of Place (July 1997)
Renate Wood: Thoughts on Precision (July 1997)
Heather McHugh: The Other’s Mine (July 1997)
Marianne Boruch: Worlds Old and New (July 1997)
Tom Andrews: Via Negativa: Traveling in Contemporary Poetry (July 1997)
Joan Aleshire: Whose Universe Is It, Anyway? (July 1997)
Charles Baxter: Inflection and the Breath of Life (January 1998)
C.J. Hribal: Serious Whimsy (January 1998)
Eleanor Wilner: A Metastable Talk on Metamorphosis and Poetry (January 1998)
Agha Shahid Ali: In Defense of the Canon, or, A Darkly Defense of Dead White Males (January 1998)
Michael Ryan: Vocation According to Dickinson (July 1998)
Heather McHugh: Nakedness in Numbers (July 1998)
Anne Carson: Economy (July 1998)
Alan Williamson: Iambic Pentameter (July 1998)
Renate Wood: Sensibility and the End of Pure Reason (January 1999)
Ellen Bryant Voigt: The Adjective (January 1999)
Agha Shahid Ali: The Dramatic Monologue (January 1999)
Jim Shepard: I Know Myself Real Well. That’s the Problem. (January 2000)
Karen Brennan: Fiction as Vision (January 2000)
Brian Bouldrey: Tell, Don’t Show! (January 2000)
Carl Phillips: Confession, and the Model of George Herbert (January 2000)
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