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Agha Shahid Ali: Cross Cultural Influences (January 1997)
Renate Wood: Thoughts on Precision (July 1997)
Heather McHugh: The Other’s Mine (July 1997)
Marianne Boruch: Worlds Old and New (July 1997)
Tom Andrews: Via Negativa: Traveling in Contemporary Poetry (July 1997)
Joan Aleshire: Whose Universe Is It, Anyway? (July 1997)
Eleanor Wilner: A Metastable Talk on Metamorphosis and Poetry (January 1998)
Agha Shahid Ali: In Defense of the Canon, or, A Darkly Defense of Dead White Males (January 1998)
Michael Ryan: Vocation According to Dickinson (July 1998)
Heather McHugh: Nakedness in Numbers (July 1998)
Anne Carson: Economy (July 1998)
Alan Williamson: Iambic Pentameter (July 1998)
Renate Wood: Sensibility and the End of Pure Reason (January 1999)
Ellen Bryant Voigt: The Adjective (January 1999)
Agha Shahid Ali: The Dramatic Monologue (January 1999)
Karen Brennan: Fiction as Vision (January 2000)
Carl Phillips: Confession, and the Model of George Herbert (January 2000)
Carl Dennis: Using Myth (January 2000)
Debra Allbery: “Lives of the Artists”: Line, Landscape and the Poet’s Calling in the Work of Charles Wright (January 2000)
Betty Adcock: The Double Axe of Robinson Jeffers, With an Aside on Bucking Trends (January 2000)
Eleanor Wilner: The Mutable Magnitudes of Metaphor (July 2000)
Heather McHugh: Tell Me True: Mirrors and Misgivings (July 2000)
Laura Kasischke: Stepping Into the Poem (July 2000)
Chris Forhan: The Sense of Sound (July 2000)
Tony Hoagland: Obsession, The Creative Wound, and the Deployment of Talent (July 2000)
Marianne Boruch: Poetry’s Over and Over (July 2000)
Joan Aleshire: Larry Levis – The Perfection of Solitude (July 2000)
David Baker: Ecstasy and Irony (January 2001)
Linda Gregerson: Rhetorical Contract in the Lyric (January 2001)
Tom Andrews: Is Disinterestedness Possible? (January 2001)
Heather McHugh: One Moment Now: Wordsworthian Swoop and Swoon (July 2001)
Chris Forhan: A Careful Disorderliness: Being Not Quite In Control of Your Poems (July 2001)
Dean Young: John Ashbery (July 2001)
Joan Aleshire: The Miner’s Lamp (July 2001)
Eleanor Wilner: “Like as the waves…”: Vibrant Disturbance as Form and Message in Poetry and Nature (January 2002)
James Longenbach: The End of the Line (January 2002)
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