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C.J. Hribal – Looking Back, Looking Forward (January 2023)
Ana Menéndez – Witness: Fragmentation and Polyphonies (January 2023)
Marisa Silver – Rhythm and Prose (January 2023)
Dean Bakopoulos – The Problem of Clarity (January 2022)
Peter Turchi – (Don’t) Stop Me if You’ve Heard This Before: Storytelling Characters (July 2022)
Anna Solomon – Beyond Knowing (July 2022)
Adrienne Celt – The Charismatic Shape: Using Form and Structure as an Animating Force (July 2022)
Maud Casey – Hello Darkness, My Old Friend: The Sounds of Silence (July 2022)
Pablo Medina and John Skoyles
Poetry and Prose in Major and Minor Keys
Liam Callanan – Not So Fast: The Art of Starting Slow (January 2022)
Vanessa Hua – Breaking the Green Wall: What Foraging Can Teach Us About Revision and Resistance (January 2022)
Marisa Silver – Life Story (January 2022)
T. Geronimo Johnson – The Sentence: Our Sentence (July 2021)
Robert Boswell: Urban Apocrypha & the Role of the Writer in the Realm of the Radically Real, or, Exploding Poodles (July 1993)
Robert Boswell: Reinventing Revision: How Changing the Way You Think About Revision May Breathe Life into Comatose Work (July 2019)
Robert Boswell – Manifesting Emotion (July 2021)
Peter Turchi: Don’t Stand So Close to Him, or Her, or Them, Either (July 2019)
Peter Turchi: I See What You’re Saying: Images and Motifs in Fiction (July 2021)
Nina McConigley: The Sound of Silence: Writing Silences (July 2019)
Mia Alvar – On Pain: Narrative Pitfalls and Possibilities (July 2021)
Lesley Nnekah Arimah: The Breadth and Purpose of Speculative Fiction (January 2020)
Lauren Groff: The Anxiety of the Influence of The Anxiety of Influence (January 2020)
Kevin McIlvoy: A Sex Scene Sutra (July 1993)
Jeremy Gavron: James Joyce’s Refrigerator, or, Thirteen Ways of Looking at Lists (January 2020)
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