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Ellen Bryant Voigt: The Flexible Lyric II (July 1997)
Marianne Chan – The Prose Poem as Shapeshifter & Rebel (January 2024)
Christine Kitano – Who gets the last word? Power Dynamics as Craft Lens (July 2022)
Sally Keith – The Choral Mode (January 2022)
Larry Levis: Poems That Mean? Poems That Are? (January 1993)
Tony Hoagland: Information, Layering, and the Composite Poem (July 2013)
Ellen Bryant Voigt: Lectures for the EBV Scholarship
Sandra Lim: Repetition (January 2020)
Matthew Olzmann: Love (Part 1 of 47) (January 2021)
Agha Shahid Ali: In Defense of the Canon, or, A Darkly Defense of Dead White Males (January 1998)
Tony Hoagland: Obsession, The Creative Wound, and the Deployment of Talent (July 2000)
Brian Teare – Toward a Literature Not Made of Literature: The Notebook as Plot and Process (January 2024)
Rita Banerjee – Translating the World, Translating Ourselves (January 2024)
Matthew Olzmann: What You Know of the World Is Wrong: Some Thoughts on the Nature of Surprise (January 2020)
Sandra Lim: Personal Poetry (January 2017)
James Longenbach: The Construction of Voice (July 2015)
Mary Ruefle: On Secrets: Eight Beginnings, Two Ends (July 2007)
Christine Kitano – “Where are you going, where have you been?” (July 2023)
Larry Levis: On Elegy: Seamus Heaney’s “Station Island” (January 1994)
Tony Hoagland: Altitudes and Rhetoric (January 1997)
Anne Carson: Economy (July 1998)
Agha Shahid Ali: The Dramatic Monologue (January 1999)
Maurice Manning: The Uses of Nostalgia (January 2012)
Eleanor Wilner: Getting Out of the Way, or How Not to Stand in Your Own Light (January 2013)
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