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Yanyi – A Formal Feeling (July 2023)
C. Dale Young – Doubt and Uncertainty: The Adverbial Gesture as Rhetorical Strategy (July 2023)
Dean Bakopoulos – Hey, At Least It’s Paved! Or, On Good Intentions Gone Awry (January 2023)
T. Geronimo Johnson – The Sentence: Our Sentence (July 2021)
Matthew Olzmann: Direct Address and the Illusion of Audience (July 2019)
Charles Baxter: Things about to Disappear – The Writer as Curator (January 2017)
Maud Casey – Hello Darkness, My Old Friend: The Sounds of Silence (July 2022)
Dean Bakopoulos and Charles Baxter
No Soul, No Dark Nights
Vanessa Hua – Breaking the Green Wall: What Foraging Can Teach Us About Revision and Resistance (January 2022)
Heather McHugh – A Fence in the Sky (January 2022)
Charles Baxter: Narrative Urgency (July 2010)
Dana Levin: Some Notes on Poetry: Divination, Reverie, Dream (July 2020)
Peter Turchi – (Don’t) Stop Me if You’ve Heard This Before: Storytelling Characters (July 2022)
Marianne Boruch and Mary Szybist
On Brigit Pegeen Kelly’s “Three Cows and the Moon”
Jason Schneiderman: How a Sonnet Turns: From a Fold to a Helix (January 2020)
Matthew Olzmann: Microcosm and Macrocosm (July 2020)
C.J. Hribal – Looking Back, Looking Forward (January 2023)
Daisy Fried – “…nothing more to say”: Arguments with Writing Grief (July 2022)
Matthew Olzmann – Definition and Intent (July 2021)
Lan Samantha Chang and David Haynes
On Novel Structure
Kaveh Akbar: Crushed Glass and Medusa’s Veil: Exploring the Revelatory Break (January 2020)
Charles Baxter: On the Plausibility of Dreams (July 2019)
Sally Keith and James Longenbach
“Confusion is the Opposite of Mystery”
Marisa Silver – Life Story (January 2022)
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