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The MFA Program for Writers is proud to partner with Asheville’s legendary Malaprop’s Bookstore.
Enter Malaprop’s through our website and the store will donate 10% to help sustain our program.

The MFA Program for Writers is delighted to announce the faculty for the summer 2020 semester:

Kaveh Akbar

Debra Allbery (Director)

Sally Ball

Robert Boswell

Karen Brennan

Jamel Brinkley

Christopher Castellani

Sonya Chung

Angela Flournoy

Brooks Haxton

David Haynes

Amaud Jamaul Johnson

Christina Kitano

Dana Levin

Maurice Manning

Alix Ohlin

Matthew Olzmann

Peter Orner

Joan Silber

Debra Spark

Peter Turchi

Alan Williamson

 

Congratulations to the Winter 2020 graduates of the MFA Program for Writers:

 

Sarah Cypher

Jonathan Hadas Edwards

Sonja Johanson

Steven  Lane

Hannah Markos

Erin Osborne

Margaret Ray

Amanda Shaw

Robert Matthew Taylor

 

The MFA Program for Writers at Warren Wilson College is pleased to announce the availability in January 2020 of the Holden Residency Scholarship.


The Holden Residency Scholarship, funded by Friends of Writers, Inc., covers tuition and room/board/facilities fees for a writer of color in either fiction or poetry who is contemplating entering an MFA program in creative writing and wishes a fuller introduction to what our program offers and entails before applying. The student will be responsible for any other residency-related expenses, including travel and books. Writers who have already earned an MFA in creative writing are ineligible.

The Holden Residency Scholar will participate fully in all events of the MFA Program for Writers’ ten-day residency, attending lectures and classes, workshop and bookshop sessions, and readings. They will also have a one-on-one conference with a faculty member. Please note that no graduate credit is earned, independently or toward a subsequent degree, during this residency-only engagement.

Application forms and instructions are available through Submittable:

https://warrenwilson.submittable.com/submit/144511/holden-residency-scholarship

The application deadline is the same for program admission: September 1 for the January residency and March 1 for the July residency. (Residency dates will be posted on the program website, but always occur in the first two weeks of January and July.) Holden Residency Scholar applicants will be evaluated by the same criteria and standards used for full-program applicants. The program reserves the right not to award the scholarship if candidates do not meet the criteria.

Subsequent application to the MFA program: A Holden Residency Scholar who subsequently applies for full program admission must undergo the same process as other applicants, with a new or revised manuscript and essays, but the admission fee will be waived.

The MFA Program for Writers at Warren Wilson College mourns the passing of poet Paul Otremba who joined the program’s faculty in 2017. Author of three books, Currency (Four Way, 2009), Pax Americana (Four Way, 2015) and the forthcoming Levee (Four Way, 2019), he received a Bread Loaf Writers’ Conference fellowship, a Barthelme Memorial Fellowship, a Krakow Poetry Seminar Fellowship, and a prize from the Academy of American Poets. Paul’s unassuming brilliance as a poet and teacher, his steady warmth and kindness, and his generous spirit will long be remembered by his colleagues and students here.

CONSTELLATION
 
It’s the space between them we can count on,
more constant than the light we claim
our fortunes by, and because we’ve proved
this janky wooden plank in the argument
we can proceed another premise, one body’s-length
farther along the surface. You could bet
your hemlock on it, or the next timid step
across the fogged-up mirror of the iced-over lake.
The state is ill; therefore, I am ill.
Hippocrates thought of the crab
because of its legs reaching out like tendrils,
like gossip’s sideways whispering
through the crowd of swollen flesh.
Then leaving my surgeon’s office
I had to step over the splayed fingers
of a spidering slick of oil in the parking lot,
which I tried to read like the lines in my palm.
My dreams, too, have become nebulous,
intense, and frequent, and just after waking
they take on the blankness of the bayou’s face
when the stars black out behind clouds.
It’s like a joke from some low-grade
and obvious comedy—how do you not get
out of the way of an oncoming steamroller?
I am learning the difference between urgency
and importance. Although, they often meet
at the more accusatory places. To the monarch
butterfly breaking loose of her chrysalis,
the twitter of the state is urgent.
The icy-blue eye of the flipped-over iceberg
has been here long enough to know what’s important.
I place my hand against the window
and I’m met by the dark’s aged coolness.
The light passing through me in many strands
from the cluster of bees set in the night sky
happened so fast and so many years ago,
there wasn’t even a thought of me being born.
(from Levee; Four Way Books, 2019)