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Ana Menéndez – Witness: Fragmentation and Polyphonies (January 2023)
Christine Kitano – Who gets the last word? Power Dynamics as Craft Lens (July 2022)
Sally Keith – The Choral Mode (January 2022)
Larry Levis: Poems That Mean? Poems That Are? (January 1993)
Charles Baxter: Dramatic Interventions: The Request Moment (July 2013)
Tony Hoagland: Information, Layering, and the Composite Poem (July 2013)
Marianne Chan – The Prose Poem as Shapeshifter & Rebel (January 2024)
Sandra Lim: Repetition (January 2020)
Peter Turchi: I See What You’re Saying: Images and Motifs in Fiction (July 2021)
Matthew Olzmann: Love (Part 1 of 47) (January 2021)
Lesley Nnekah Arimah: The Breadth and Purpose of Speculative Fiction (January 2020)
Agha Shahid Ali: In Defense of the Canon, or, A Darkly Defense of Dead White Males (January 1998)
Tony Hoagland: Obsession, The Creative Wound, and the Deployment of Talent (July 2000)
Robert Boswell: Having Gravity and Having Weight: On Meaning in Fiction (July 2013)
Charles Baxter: A Dialogue on Dialogue (July 2016)
Lesley Nneka Arimah: The Outcast as Central Character: How Characters Who Break the Rules Become a Prism Into Your World (January 2018)
Kevin McIlvoy: Desinence (July 2015)
David Haynes: Narration, Narrators, and Edward P. Jones (January 2012)
Charles Baxter: Regarding Happiness (July 2008)
Tom Drury – Dialogue Lab: On Hearing the Voices of Characters (January 2024)
Marisa Silver – Picture Books (January 2024)
Brian Teare – Toward a Literature Not Made of Literature: The Notebook as Plot and Process (January 2024)
Rita Banerjee – Translating the World, Translating Ourselves (January 2024)
Natalie Bakopoulos – The Invoked Listener: Time and Telling (January 2024)
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