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Matthew Olzmann: Love (Part 1 of 47) (January 2021)
Matthew Olzmann – Definition and Intent (July 2021)
Marianne Boruch: Poetic Sound (July 1993)
Marianne Boruch: Charm (January 2015)
Lesley Nnekah Arimah: The Breadth and Purpose of Speculative Fiction (January 2020)
Lauren Groff: The Anxiety of the Influence of The Anxiety of Influence (January 2020)
Larry Levis: Poems That Mean? Poems That Are? (January 1993)
Kevin McIlvoy: A Sex Scene Sutra (July 1993)
Kaveh Akbar: First Fight, Then Fiddle: Toward a Revolutionary Poetics (January 2021)
Kaveh Akbar: Crushed Glass and Medusa’s Veil: Exploring the Revelatory Break (January 2020)
Jeremy Gavron: James Joyce’s Refrigerator, or, Thirteen Ways of Looking at Lists (January 2020)
Jason Schneiderman: How a Sonnet Turns: From a Fold to a Helix (January 2020)
Heather McHugh: The Level Gaze, the Swaying Mark (January 2021)
Debra Spark – Of What Use Constraint? (July 2021)
Dean Bakopoulos: The Reason Life is So Strange: Some Thoughts on Options (January 2020)
Dean Bakopoulos: ‘Because Thou Art Lukewarm’: A Meditation on Fevers and Chills (January 2021)
Christine Kitano: Alienation, Estrangement, Displacement: Examining the Relationship Between Literature and Place, or, “It’s the land, stupid” (July 2019)
Christine Kitano – Stories About the Body (July 2021)
Charles Baxter: On the Plausibility of Dreams (July 2019)
Carol Frost: John Berryman at Thirty-Six (January 1993)
C.J. Hribal: The Reasonably Unreasonable: The Work of Rachel Ingalls (January 2020)
C.J. Hribal: Hope and Failure: A Meditation on Being in Two Places at Once (January 2021)
Alan Shapiro: Mark Twain and the Ambiguities of Creative Expertise (July 2019)
Airea D. Matthews: Visual Rhetoric and the Social Turn (July 2019)
Joan Aleshire: Out of Extremity: Emotion and Conscience (July 1989)
Stephen Dobyns: On Structure (January 1990)
Marianne Boruch: Plath’s Bees (July 1990)
Tony Hoagland: Disproportion: Excess in Poetry (January 1993)
Larry Levis: On Elegy: Seamus Heaney’s “Station Island” (January 1994)
Richard Russo: Place in Fiction (January 1995)
Michael Martone: How to Hide a Tank: Camouflage Realism and Believing Our Eyes (January 1995)
Brooks Haxton: Creative Freedom and Expressive Urgency (July 1995)
Marianne Boruch: Decoys (July 1995)
Joan Aleshire: Breaking Apart: Emotion versus Sentimentality (July 1995)
Robert Boswell: Writing the Political Novel: The Responsibilities of the Writer in an Inconvenient Time (January 1996)
Renate Wood: The “Embodiment of the Speaker” (January 1996)
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