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Peter Turchi – (Don’t) Stop Me if You’ve Heard This Before: Storytelling Characters (July 2022)
Marianne Boruch and Mary Szybist
On Brigit Pegeen Kelly’s “Three Cows and the Moon”
Jason Schneiderman: How a Sonnet Turns: From a Fold to a Helix (January 2020)
Matthew Olzmann: Microcosm and Macrocosm (July 2020)
C.J. Hribal – Looking Back, Looking Forward (January 2023)
Daisy Fried – “…nothing more to say”: Arguments with Writing Grief (July 2022)
Matthew Olzmann – Definition and Intent (July 2021)
Lan Samantha Chang and David Haynes
On Novel Structure
Kaveh Akbar: Crushed Glass and Medusa’s Veil: Exploring the Revelatory Break (January 2020)
Charles Baxter: On the Plausibility of Dreams (July 2019)
Sally Keith and James Longenbach
“Confusion is the Opposite of Mystery”
Marisa Silver – Life Story (January 2022)
Mia Alvar – On Pain: Narrative Pitfalls and Possibilities (July 2021)
James Longenbach: Image, Figure, Sound (January 2016)
Charles Baxter: What We Talk about When We Talk about Horror (July 2018)
David Haynes: Novels from the Ground Up (July 2012)
Ellen Bryant Voigt: The Flexible Lyric II (July 1997)
Nina McConigley – Speak, memory: Retrospective Narration (July 2023)
Ana Menéndez – Witness: Fragmentation and Polyphonies (January 2023)
Christine Kitano – Who gets the last word? Power Dynamics as Craft Lens (July 2022)
Sally Keith – The Choral Mode (January 2022)
Larry Levis: Poems That Mean? Poems That Are? (January 1993)
Charles Baxter: Dramatic Interventions: The Request Moment (July 2013)
Tony Hoagland: Information, Layering, and the Composite Poem (July 2013)
Ellen Bryant Voigt: Lectures for the EBV Scholarship
Marianne Chan – The Prose Poem as Shapeshifter & Rebel (January 2024)
Sandra Lim: Repetition (January 2020)
Peter Turchi: I See What You’re Saying: Images and Motifs in Fiction (July 2021)
Matthew Olzmann: Love (Part 1 of 47) (January 2021)
Lesley Nnekah Arimah: The Breadth and Purpose of Speculative Fiction (January 2020)
Anthony Doerr, Dominic Smith and Debra Spark
On Research for Fact-based Fiction
Agha Shahid Ali: In Defense of the Canon, or, A Darkly Defense of Dead White Males (January 1998)
Tony Hoagland: Obsession, The Creative Wound, and the Deployment of Talent (July 2000)
Charles Baxter: A Dialogue on Dialogue (July 2016)
Lesley Nneka Arimah: The Outcast as Central Character: How Characters Who Break the Rules Become a Prism Into Your World (January 2018)
Kevin McIlvoy: Desinence (July 2015)
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