is the author of two books of poetry, most recently Pilgrim Bell (Graywolf, 2021). The recipient of a Ruth Lilly Fellowship and many other awards, he was born in Tehran, Iran. He joined the Program faculty in 2018.

Debra Allbery received her MFA from the University of Iowa and her MA from the University of Virginia. Her first collection of poetry, Walking Distance, won the Agnes Lynch Starrett Prize and was published by the University of Pittsburgh Press. Her collection, Fimbul-Winter, was published by Four Way Books in October 2010 and won the Grub Street National Book Prize in poetry. Her poems have appeared in Poetry, Yale Review, Kenyon Review, Iowa Review, New England Review, The Nation, FIELD, TriQuarterly, and elsewhere. She has twice received fellowships from the NEA; other awards include the “Discovery”/The Nation Award, a Hawthornden fellowship, and two grants from the New Hampshire State Council on the Arts. She has taught writing and literature at Phillips Exeter Academy, Interlochen Arts Academy, Randolph College, Dickinson College, and the University of Michigan. Deb first taught in the Program in 1995; she became the director in June 2009.

Marianne Boruch has published ten collections of poems including The Book of Hours (2011), Cadaver, Speak (2014), and Eventually One Dreams the Real Thing (2016), and most recently The Anti-Grief (2019) all from Copper Canyon Press. Her prose includes a memoir, The Glimpse Traveler (Indiana, 2011)and three essay collections, Poetry’s Old Air (Michigan’s “Poets on Poetry” series, 1993), In the Blue Pharmacy (Trinity, 2005), and The Little Death of Self (again that Michigan series, 2017).  Her poems and essays have appeared in The New Yorker, Paris Review, The Nation, Poetry London, American Poetry Review, Narrative, The London Review of Books, Field, Poetry, The New York Review of Books and elsewhere, and she’s been given the Kingsley-Tufts Poetry Award for The Book of Hours, four Pushcart Prizes, and fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Rockefeller Foundation’s Bellagio Center, as well as stints as artist-in-residence at two national parks, Isle Royale and Denali. She was a Fulbright/visiting professor in the UK at the University of Edinburgh in 2012, and in 2019, a Senior Fulbright Research Scholar at the University of Canberra in Australia, closely observing the astonishing wildlife there. Having taught for the last 34 years at Purdue University, she has now gone rogue and emeritus.

Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia EarhartApocalyptic Swing, which was a finalist for the Los Angeles Times Book Prize, and Rocket Fantastic. She is the recipient of numerous grants and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University, a Rona Jaffe Woman Writers Award, and residences from Civitella di Ranieri and the Lannan Foundation. Her poems have appeared or are forthcoming in American Poetry ReviewPloughsharesThe New York TimesBoston Review and New England Review, among others. She is Senior Poetry Editor at Los Angeles Review of Books and Founder and Senior Curator at Voluble, a forthcoming channel from Los Angeles Review of Books. She teaches in the Warren Wilson Program for Writers and at University of North Carolina at Chapel Hill. She makes new economies with those who wish to. She tweets at @rocketfantastic and is on Instagram as gabbat. She is at work on a memoir entitled The Year I Didn’t Kill Myself.

Sally Keith’s fourth collection of poetry, River House was recently published by Milkweed Editions; she is the author of The Fact of the Matter (Milkweed 2012) and two previous collections of poetry, Design, winner of the 2000 Colorado Prize for Poetry, and Dwelling Song (UGA 2004).  She has published poems in a variety of literary journals, including Gettysburg Review, New England Review, A Public Space, Black Clock and Literary Imagination.  Recipient of a Guggenheim Fellowship, a Pushcart Prize and recent fellowships at Virginia Center for Creative Arts, UCROSS Foundation and Fundación Valparaíso, she is a member of the MFA Faculty at George Mason University and lives in Washington DC.

Sandra Lim is the author of Loveliest Grotesque (Kore Press, 2006) and The Wilderness (W.W. Norton, 2014), selected by Louise Glück for the 2013 Barnard Women Poets Prize. The Wilderness won the Levis Reading Prize from Virginia Commonwealth University in 2015. She is the recipient of fellowships from the MacDowell Colony, the Vermont Studio Center, the Getty Research Institute, and the Jentel Foundation. Her poems have appeared in Boston ReviewVOLTLiterary Imagination, and The New York Times. She is an Associate Professor of English at the University of Massachusetts Lowell and lives in Cambridge, MA.

Matthew Olzmann is the author of two collections of poems, Mezzanines, which was selected for the Kundiman Prize, and Contradictions in the Design, both from Alice James Books.  A third collection, Constellation Route, will be released in January 2022. He’s received fellowships from Kundiman and the Kresge Arts Foundation.  His writing appears or is forthcoming in Best American Poetry, Kenyon Review, New England Review, Brevity, Southern Review and elsewhere.  Previously, he’s taught in the undergraduate writing program at Warren Wilson College and at the University of North Carolina at Chapel Hill.  He lives in New Hampshire and teaches at Dartmouth College.

Martha Rhodes is the author of five collections of poetry: At the Gate (1995, Provincetown Arts), Perfect Disappearance (2000, winner of the Green Rose Prize, New Issues Press), Mother Quiet (2004, Zoo Press / University of Nebraska) The Beds (2012, Autumn House), and The Thin Wall (2017, University of Pittsburgh Press). She teaches at Sarah Lawrence College and the MFA Program for Writers at Warren Wilson College. She is the director of Four Way Books in New York City, publishers of poetry and fiction.

Jason Schneiderman is the author of Hold Me Tight (Red Hen 2020); Primary Source (Red Hen 2016); Striking Surface (Ashland Poetry Press 2010); and Sublimation Point (Four Way 2004); as well as the editor of Queer: A Reader for Writers (Oxford UP 2016). He is an Associate Professor of English at the Borough of Manhattan Community College, CUNY.

Solmaz Sharif holds degrees from New York University and U.C. Berkeley, where she studied and taught with June Jordan’s Poetry for the People. The former managing director of the Asian American Writers’ Workshop, her work has been recognized with a “Discovery”/Boston Review Poetry Prize, Rona Jaffe Foundation Writers’ Award, and an NEA fellowship. She was most recently selected to receive a 2016 Lannan Literary Fellowship and the 2017 Holmes National Poetry Prize from Princeton University. A former Stegner Fellow at Stanford University, she is currently an Assistant Professor in Creative Writing at Arizona State University. Her first poetry collection, LOOK, published by Graywolf Press in 2016, was a finalist for the National Book Award. Her work has appeared in Harper’s, The Paris Review, Poetry, The Kenyon Review, the New York Times, and others. She is an assistant professor at Arizona State University and has taught at Stanford University.