Debra Allbery received her MFA from the University of Iowa and her MA from the University of Virginia. Her first collection of poetry, Walking Distance, won the Agnes Lynch Starrett Prize and was published by the University of Pittsburgh Press. Her collection, Fimbul-Winter, was published by Four Way Books in October 2010 and won the Grub Street National Book Prize in poetry. Her poems have appeared in Poetry, Yale Review, Kenyon Review, Iowa Review, New England Review, The Nation, FIELD, TriQuarterly, and elsewhere. She has twice received fellowships from the NEA; other awards include the “Discovery”/The Nation Award, a Hawthornden fellowship, and two grants from the New Hampshire State Council on the Arts. She has taught writing and literature at Phillips Exeter Academy, Interlochen Arts Academy, Randolph College, Dickinson College, and the University of Michigan. Deb first taught in the Program in 1995; she became the director in June 2009.

Sally Ball is the author of three collections of poems, Hold Sway, Wreck Me and Annus Mirabilis. She has published essays and reviews in Lithub, NOR, Pleiades, The Review of Contemporary Fiction, The Volta, and elsewhere. Her poems have appeared in The American Poetry Review, Bennington Review, Boston Review (Forum 3), Harvard Review, Ploughshares, Tin House, Yale Review, and other magazines, as well as online at The Awl, Narrative, and Slate, and in The Best American Poetry anthology. Professor of English and director of creative writing at Arizona State University, Ball is also the associate director of Four Way Books. She has been with the press for 26 of its 30 years. She has received fellowships from the Arizona Commission on the Arts, the Bread Loaf Writers’ Conference, CAMAC Centre d’Art, and elsewhere. Her long poem HOLD has been made into an award-winning large-format artist’s book by the Czech printmaker Jan Vičar (2018); HOLD has been exhibited across Europe, in Japan, and in the US, and it will be the subject of an exhibition at the Museum of Decorative Arts in Prague this summer, sponsored the Czech Ministry of the Environment, as part of the handover of the EU presidency.

Oliver Baez Bendorf collaborates with language to imagine new possibilities for gender and nature. He’s received fellowships from the NEA, Vermont Studio Center, CantoMundo, and the Wisconsin Institute for Creative Writing, and The Publishing Triangle’s Betty Berzon Award. His first book of poetry, The Spectral Wilderness, was selected by Mark Doty for the Stan and Tom Wick Poetry Prize and published by Kent State University Press. His second book, Advantages of Being Evergreen, won the Open Book Prize from Cleveland State University Poetry Center. His writing has appeared in, or is forthcoming from, Best American Poetry 2022, American Poetry Review, Denver Quarterly, The Nation, New England Review, Orion, POETRY Magazine, Troubling the Line: Trans and Genderqueer Poetry and Poetics, and elsewhere. Previously he’s taught in the undergraduate creative writing programs at University of Wisconsin-Madison and Kalamazoo College. He lives with his partner and rabbit in the Pacific Northwest.

CM Burroughs is Associate Professor of Poetry at Columbia College Chicago. She is the author of The Vital System (Tupelo Press, 2012) and Master Suffering (Tupelo Press, 2021) which was longlisted for the National Book Award and is a finalist for both the LA Times Book Award and Lambda Book Award. Burroughs has been awarded fellowships and grants from Yaddo, the MacDowell Colony, Djerassi Foundation, Virginia Center for the Creative Arts, and Cave Canem Foundation. She has received commissions from the Studio Museum of Harlem and the Warhol Museum to create poetry in response to art installations. Burroughs’ poetry has appeared in journals and anthologies including Poetry magazine, CallaloojubilatPloughsharesVOLT,

Best American Experimental Writing Anthology, and The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks.

Maud Casey is the author of five works of fiction, most recently City of Incurable Women, and a work of nonfiction, The Art of Mystery: The Search for Questions. Her essays and book reviews have appeared in A Public Space, Literary Imagination, New England Review, The New York Times, Poetry Daily, and The Sewannee Review. She is the recipient of the Calvino Prize, the St. Francis College Literary Prize, and a Guggenheim Fellowship. She lives in Washington, D.C., and teaches in the MFA program at the University of Maryland.

Christopher Castellani’s fourth novel, Leading Men — for which he received fellowships from the Guggenheim Foundation, the Massachusetts Cultural Council, and the MacDowell Colony — was published by Viking in February 2019. His collection of essays on point of view in fiction, The Art of Perspective, was published by Graywolf in 2016. His three previous novels, a trilogy that follows an immigrant Italian family, were published by Algonquin. Castellani is on the fiction faculty of the Bread Loaf Writers’ Conference, and he has been a fiction supervisor and frequent member of the academic board at Warren Wilson since 2008. He lives in Boston and Provincetown.

Adrienne Celt Adrienne Celt’s debut novel, The Daughters, won the 2015 PEN Southwest Book Award for Fiction, was a finalist for the 2016 Crawford Award, and was named a Best Book of the Year by NPR and the NYPL. Her second novel, Invitation to a Bonfire, was an Indie Next Pick for June 2018, an Amazon Top 10 Book of the Month, and was named a Best Book of the Year by the Financial Times of London and Electric Literature—it’s currently being adapted for television by AMC. Her latest novel, End of the World House (April 2022) has been named a Best Book of Spring 2022 by Town & Country, Lit Hub, The Millions, the Chicago Review of Books, PopSugar, Bustle, and elsewhere. Also a cartoonist, her collection of comics, Apocalypse How? An Existential Bestiary was released by Diagram/New Michigan Press in 2016. The recipient of an O. Henry Prize, a Glenna Luschei Award, the Swarthout Prize, and residencies from The Lighthouse Works, Jentel, Ragdale, and the Willapa Bay AiR, her work has appeared in Esquire, The Kenyon Review, Zyzzyva, Strange Horizons, the Paris Review Daily, the Tin House Open Bar, The Rumpus, Ecotone, Epoch, and many other places. She received her MFA from Arizona State University in 2012, and was the Pima County Library Writer in Residence during the summer of 2016. She lives in Tucson, Arizona, and has been publishing the webcomic since 2011.

Carolyn Ferrell is the author of the novel Dear Miss Metropolitan (Holt, 2021) which was a finalist for the PEN/Hemingway Award for Debut Novel and the PEN Faulkner Award for Fiction. Her story collection Don’t Erase Me was awarded the 1997 Art Seidenbaum Award for First Fiction of the Los Angeles Times Book Prizes, the John C. Zacharis First Book Award given by Ploughshares, and the Quality Paperback Book Prize for First Fiction. Ferrell’s stories and essays have been anthologized in The Best American Short Stories 2018 and The Best American Short Stories 2020, edited by Roxane Gay and Curtis Sittenfeld, respectively; The Best American Short Stories of the Century, edited by John Updike; Children of the Night: The Best Short Stories by Black Writers, 1967 to the Present, edited by Gloria Naylor; Apple, Tree: Writers on Their Parents, edited by Lise Funderburg; and other places. She is the recipient of grants and awards from the Fulbright Association, the Bronx Council on the Arts, the National Endowment for the Arts, the Corporation of Yaddo, and Sarah Lawrence College. Since 1996, she has been a faculty member in both the undergraduate and MFA programs at Sarah Lawrence; she joined the Warren Wilson faculty in January of 2020.

Daisy Fried is the author of four books of poetry: The Year the City Emptied, Women’s Poetry: Poems and AdviceMy Brother is Getting Arrested Again, and She Didn’t Mean to Do It. She has been awarded Guggenheim, Hodder and Pew Fellowships. An occasional poetry critic for the New York Times, Poetry Foundation and elsewhere; poetry editor for the journal Scoundrel Time; and a member of the faculty of the BFA Program in Creative Writing at University of the Arts. She lives in Philadelphia.

David Haynes is the author of seven novels for adults and five books for younger readers.  He is an emeritus professor of English at Southern Methodist University, where he directed the creative writing program for ten years. Since 1996 he has taught regularly in MFA Program for Writers at Warren Wilson College, and has also taught writing at the University of Missouri-St. Louis, Hamline University, at the Writer’s Center in Bethesda, MD, and at the Writers’ Garret in Dallas. He has received a fellowship from the Minnesota State Arts Board, and several of his short stories have been read and recorded for the National Public Radio series “Selected Shorts.” His seventh and most recently novel is A STAR IN THE FACE OF THE SKY. He is also the author of a series for children called “The West Seventh Wildcats.” His upcoming book is a collection, MARTHA’S DAUGHTER: A NOVELLA AND STORIES.

David spent fifteen years as a K-12 teacher in urban schools, mostly teaching middle grades in Saint Paul, Minnesota.  He worked on numerous school reform efforts, including developing the influential Saturn School of Tomorrow, where he served as Associate Teacher for Humanities.  He has been involved in the work of the National Board for Professional Teaching Standards, coordinating efforts of the nation’s finest educators to develop standards in the fields of social studies, vocational education, early childhood education and for teachers of students whose first language is not English.

David Haynes co-founded and serves as the Board Chair for Kimbilio, a community of writers and scholars committed to developing, empowering and sustaining fiction writers from the African diaspora and their stories.